{"id":126459,"date":"2025-10-06T10:31:30","date_gmt":"2025-10-06T07:31:30","guid":{"rendered":"https:\/\/www.ticketbox.gr\/?post_type=tribe_events&p=126459"},"modified":"2025-10-24T13:51:30","modified_gmt":"2025-10-24T10:51:30","slug":"to-amatrima-ths-mhtros-mou-3","status":"publish","type":"tribe_events","link":"https:\/\/www.ticketbox.gr\/hr\/ekdilosi\/to-amatrima-ths-mhtros-mou-3\/","title":{"rendered":"Grijeh moje majke G. Vizyenou"},"content":{"rendered":"

GRIJEH MOJE MAJKE, autor G. Vizyenou<\/strong>
\nSMJER \u2013 IZVEDBA<\/strong>
\nKONSTANTINOS GIANNAKOPOULOS<\/strong>
\n22., 23., 24. i 26. LISTOPADA u 21:00 sat.<\/strong>
\nu Gradskom zdravstvenom i sportskom kompleksu Krfa (studio)<\/strong><\/p>\n

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Ovo je jedan od najva\u017enijih tekstova u modernoj gr\u010dkoj knji\u017eevnosti.
\nTo je prva gr\u010dka kratka pri\u010da s psihografskim karakterom koja uspijeva prevladati uske granice etografije, prodiru\u0107i u psiholo\u0161ke motivacije protagonista. Vizyenos je pionir, jer se prvi put u gr\u010dkom pisanju kratkih pri\u010da otvara svijet du\u0161e. Svijet svijesti i unutarnje refleksije.<\/p>\n

Ovo malo remek-djelo s autobiografskim elementima prvi je put objavljeno 1883. godine, prevedeno na francuski u Nouvelle Revue [Nova revija]. Ono kombinira te\u010dnu i uzbudljivu naraciju sa \u017eivahnim dijalozima, misterij s napeto\u0161\u0107u i enigmu koja proizlazi iz samog slu\u0161anja naslova djela. U \u010demu je bio grijeh?<\/p>\n

Nekoliko rije\u010di o projektu:<\/strong><\/p>\n

Po\u010dinje s djetinjstvom pripovjeda\u010da \u2013 Giorgisa, koje je obilje\u017eeno bole\u0161\u0107u njegove sestre Annios i o\u010dajni\u010dkom, ali uzaludnom borbom njegove majke da spasi svoju bolesnu djevoj\u010dicu od smrti. Krivnja zbog gubitka potom je tjera da uzastopno posvoji dvije nove djevoj\u010dice, \u0161to, me\u0111utim, uzrokuje da njezina ostala tri sina bez oca budu zanemarena i li\u0161ena maj\u010dinske skrbi. Kad odrastu i postanu mu\u0161karci, jo\u0161 uvijek ne mogu shvatiti ovu pogre\u0161nu opsesiju majke. Kad se, nakon godina, vrati sa studija u Njema\u010dkoj, Giorgis dolazi u sukob s majkom oko o\u010duvanja njezine druge psihoti\u010dne k\u0107eri, \u0161to je navodi da odlu\u010di otkriti mu svoju tragi\u010dnu tajnu.<\/p>\n

Ruta predstave:<\/strong><\/p>\n

Postavljena je u sezoni 2023.-2024. u sredi\u0161njem kazali\u0161tu u Ateni, nakon \u0161to je od prvih izvedbi dobila izvrsne kritike novinara i stru\u010dnjaka te obi\u010dnih gledatelja. Namijenjena je svim dru\u0161tvenim skupinama, roditeljima i u\u010diteljima, ali i u\u010denicima osnovnih i srednjih \u0161kola. I u kona\u010dnici, savjesti svih. Svoje putovanje nastavila je ljeti iste godine, izvan Atene, u odabranim gradovima i otocima Gr\u010dke s istim, pa \u010dak i ve\u0107im odjekom, sura\u0111uju\u0107i s javnim i privatnim tijelima, s Op\u0107inskim kazali\u0161tima Serresa i Kozanija, s Kulturnom zakladom Pirejske grupe (P.I.O.P.), ali i s Dr\u017eavnim kazali\u0161tem sjeverne Gr\u010dke (NTHE). Chania, Rethymno, Heraklion, Agios Nikolaos Lasithi, Patras, Preveza, Kozani, Ptolemais, Serres, Hios, Rodos, Solun samo su neka od njih. Pro\u0161log studenog zapo\u010dela je svoju drugu godinu planiranih predstava u Ateni, koja je zavr\u0161ila u o\u017eujku. I putovanje se nastavlja, sada ve\u0107 tre\u0107u godinu. Konstantinos Giannakopoulos, predstavljaju\u0107i emisiju kao tvorac, sudjelovao je, na poziv Aspasije Pavlopoulou, na Velikoj konferenciji \u201eModernogr\u010dki jezik i knji\u017eevnost u osnovno\u0161kolskom i srednjo\u0161kolskom obrazovanju\u201c, s ulomcima iz spomenutog djela Vizyenou, koja se odr\u017eala u dvorani Jacqueline de Romilly Ministarstva obrazovanja.<\/p>\n

Napomena redatelja:<\/strong><\/p>\n

Pro\u0161lo je to\u010dno deset godina otkako sam se upoznao s nevjerojatno lijepim, usu\u0111ujem se re\u0107i izmi\u0161ljenim svijetom tra\u010dkog pisca. Iako je za njega taj svijet skrivao traumu, gor\u010dinu i frustraciju, na kraju je za nas, njegove daleke promatra\u010de, otkrio kako ta trauma mo\u017ee postati \u010dudo. Pod odre\u0111enim uvjetima, naravno. Moja tada\u0161nja suradnja s Demosom Abdeliodisom, kao Vizyenos u Grijehu moje majke, bila je odlu\u010duju\u0107a u mom upoznavanju s ovim svijetom.
\nMislim da je uobi\u010dajeno i nu\u017eno da se svatko s vremena na vrijeme iz nekog razloga, poznatog ili nepoznatog, vra\u0107a doga\u0111ajima i situacijama u svom \u017eivotu koje su ga pozitivno ili negativno obilje\u017eile, prisje\u0107aju\u0107i se kroz pam\u0107enje i ma\u0161tu tog iskustva. Regenerativna sposobnost iskustva kroz ma\u0161tu je bitna, budu\u0107i da iskustvo nikada ne mo\u017ee biti isto. Razlog je, u osnovi, vrijeme. I mi koji se mijenjamo s njim. Ta promjena na\u010dina gledanja na stvari odlu\u010duju\u0107i je faktor za sam doga\u0111aj, koji vi\u0161e ne pripada u potpunosti pro\u0161losti ve\u0107 uglavnom sada\u0161njosti narativa, koji u slu\u010daju kazali\u0161ta predstavlja scenski \u010din. Ova psihoanaliti\u010dka praksa bila je za mene razlog ili prigoda da se ponovno pozabavim ovom kratkom pri\u010dom, ovaj put s dvostrukom kvalitetom. Uostalom, Grijeh moje majke prva je gr\u010dka kratka pri\u010da s psihografskim karakterom. Nije slu\u010dajno ako uzmemo u obzir da je autor studirao filozofiju i psihologiju u Njema\u010dkoj. Ipak, duboka trauma nikada u potpunosti ne nestaje. Ali mo\u017eete nau\u010diti \u017eivjeti s njom. I to je \u010dudo. Sje\u0107ati se bez straha i zaboravljati bez krivnje.
\nKonstantinos Giannakopoulos<\/p>\n

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Cijene ulaznica:<\/span>\u00a0<\/span><\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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Redovna cijena: 15\u20ac<\/span>\u00a0<\/span><\/div>\n<\/div>\n<\/div>\n
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Sni\u017eeno (studenti, osobe s invaliditetom, stariji od 65 godina): 12 \u20ac<\/span>\u00a0<\/span><\/div>\n<\/div>\n<\/div>\n
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Trajanje\u00a0\u00a0\u00a0<\/span>performanse\u00a0\u00a0\u00a0<\/span>:<\/span>\u00a0<\/span>85 minuta<\/span>\u00a0<\/span><\/div>\n<\/div>\n<\/div>\n
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Proizvodnja:<\/span>\u00a0\u00a0Fronezis (A.M.K.E.)<\/span>\u00a0<\/span>\u00a0<\/span><\/div>\n<\/div>\n<\/div>\n
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Va\u017ena napomena<\/span>\u00a0<\/span><\/strong><\/div>\n<\/div>\n<\/div>\n
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Zbog va\u017enosti teksta i interesa koji izaziva od strane<\/span>\u00a0<\/span><\/div>\n<\/div>\n
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obrazovnu zajednicu, za u\u010denike i nastavnike primjenjivat \u0107e se posebne cijene<\/span>\u00a0<\/span><\/div>\n<\/div>\n
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srednjo\u0161kolsko obrazovanje koji \u0107e htjeti poha\u0111ati grupu<\/span>\u00a0<\/span><\/div>\n<\/div>\n
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performanse. Za vi\u0161e informacija mo\u017eete kontaktirati broj telefona<\/span>\u00a0<\/span><\/div>\n<\/div>\n
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proizvodnja\u00a0<\/span>6977718246<\/span>\u00a0<\/span><\/div>\n<\/div>\n<\/div>\n
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Uz podr\u0161ku Turisti\u010dke zajednice op\u0107ine Krf<\/span><\/strong>\u00a0 \u00a0 \u00a0 \u00a0<\/strong> \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"

\u03a4\u039f \u0391\u039c\u0391\u03a1\u03a4\u0397\u039c\u0391 \u03a4\u0397\u03a3 \u039c\u0397\u03a4\u03a1\u039f\u03a3 \u039c\u039f\u03a5 \u03c4\u03bf\u03c5 \u0393.\u0392\u03b9\u03b6\u03c5\u03b7\u03bd\u03bf\u03cd \u03a3\u039a\u0397\u039d\u039f\u0398\u0395\u03a3\u0399\u0391 – \u0395\u03a1\u039c\u0397\u039d\u0395\u0399\u0391 \u039a\u03a9\u039d\u03a3\u03a4\u0391\u039d\u03a4\u0399\u039d\u039f\u03a3 \u0393\u0399\u0391\u039d\u039d\u0391\u039a\u039f\u03a0\u039f\u03a5\u039b\u039f\u03a3 22, 23, 24 & 26 \u039f\u039a\u03a4\u03a9\u0392\u03a1\u0399\u039f\u03a5 \u03c3\u03c4\u03b9\u03c2 9\u03bc.\u03bc. \u03c3\u03c4\u03bf \u0394\u0397.\u03a0\u0395.\u0398\u0395 \u039a\u03ad\u03c1\u03ba\u03c5\u03c1\u03b1\u03c2 (studio)   \u03a0\u03c1\u03cc\u03ba\u03b5\u03b9\u03c4\u03b1\u03b9 \u03b3\u03b9\u03b1 \u03ad\u03bd\u03b1 \u03b1\u03c0\u03bf \u03c4\u03b1 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