Emilios Chilakis se vratio<\/p>\n
SAM S HAMLETOM<\/p>\n
Dimitris Kamarotos svira s njim na pozornici.<\/p>\n
Hamlet se vra\u0107a usamljeniji, moderniji, uvjerljiviji nego ikad.
\nEmilios Chilakis vra\u0107a se na pozornicu kako bi odigrao glavne uloge u Shakespeareovoj drami u evokativnoj izvedbi koja je \u0161okirala publiku i kriti\u010dare.<\/p>\n
"Nasam s Hamletom", temeljen na "Hamletu" Williama Shakespearea, smjela je adaptacija kultne drame, temeljena na prijevodu Giorgosa Heimonasa, a vra\u0107a se osam godina nakon posljednje izvedbe. U re\u017eiji Manolisa Douniasa i samog Emiliosa Heilakisa, otkriva strasti, unutarnje sukobe i tragi\u010dnu ironiju koji se provla\u010de kroz Hamletovu pri\u010du.<\/p>\n
\u0160to se doga\u0111a u drami: Kada danski kralj iznenada umre, njegov brat Klaudije uzurpira prijestolje \u2013 preuzev\u0161i ne samo vlast, ve\u0107 i suprugu mrtvog kralja, Gertrudu. Hamletova kraljica majka pristaje na brzoplet, gotovo nesvet brak, ostavljaju\u0107i sina u \u017ealosti i zbunjenosti. Krhka ravnote\u017ea naru\u0161ava se pojavom kraljevog duha: nije umro prirodnom smr\u0107u, otkriva \u2013 ubijen je. Njegov vlastiti brat je ubojica, s podmuklim planom i ciljem osvajanja prijestolja. Hamlet se zaklinje na osvetu \u2013 \u010dak ga ni ljubav prema nje\u017enoj Ofeliji ne\u0107e odvratiti od cilja. Kako bi se uvjerio u Klaudijevu krivnju, poziva skupinu lutaju\u0107ih glumaca da postave predstavu koja rekonstruira ubojstvo njegova oca. Klaudijeva reakcija na ono \u0161to se doga\u0111a odat \u0107e ga, a Hamletova osveta bit \u0107e stra\u0161na, ali i samodestruktivna.<\/p>\n
Predstava "Nasam s Hamletom" prati poku\u0161aj mladog princa da prije\u0111e put od Misli do Djela. Shvativ\u0161i da su sustav vrijednosti u koji je vjerovao i umjetna bla\u017eenost u kojoj je u\u017eivao mrtvi, Hamlet se bori odr\u017eati svoje dostojanstvo i ideale unutar dru\u0161tva koje se ideolo\u0161ki uru\u0161ava.
\nParadoksalno je \u2013 ili \u010dak proro\u010danski \u2013 koliko ovo dru\u0161tvo nalikuje na\u0161em, \u010detiri stolje\u0107a kasnije. Pitanje vi\u0161e nije \u201e\u017eivjeti ili ne \u017eivjeti\u201c, ve\u0107 \u201ekako \u017eivjeti\u201c: Je li bolje \u017eivjeti u nedjelovanju ili umrijeti rade\u0107i?
\nOvo pitanje se provla\u010di kroz predstavu i postaje njezina okosnica.<\/p>\n
Emilios Chilakis postaje Hamlet, Ofelija, Klaudije, Gertruda, Polonije, Laert, Horacije, Kraljev duh - dr\u017ee\u0107i gledatelja na oprezu. Uz njega, Dimitris Kamarotos na pozornici stvara zvu\u010dni svijet koji funkcionira kao unutarnji glas, kao odjek tragi\u010dnog junaka. Sa scenografijom i kostimima Alexije Theodorakis, pokretom Fedre Daioglou i svjetlom Nikosa Vlasopoulosa, "Nasam s Hamletom" vra\u0107a se apsolutnim osnovama kazali\u0161ne radnje - glasu, tijelu, glazbi i svjetlu.<\/p>","protected":false},"excerpt":{"rendered":"
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